THE SPHINX TALKS
Even as other Civil War generals rushed to publish their memoirs, flaunting their conquests and cashing in on their celebrity, Ulysses S. Grant refused to trumpet his accomplishments in print. The son of an incorrigible small-town braggart, the unassuming general and two-time president harbored a lifelong aversion to boasting. He was content to march to his grave in dignified silence, letting his extraordinary wartime record speak for itself.
Then, at the close of 1883, fate dealt him a series of progressively more savage blows that shattered this high-minded resolve. Returning to his Manhattan town house on Christmas Eve, Grant, sixty-one, pivoted to hand the driver a holiday tip when he slipped on the icy pavement and crashed to the ground, tearing a thigh muscle and possibly fracturing his hip. Until then a robust man, he crumpled over in excruciating pain and was hoisted up the steps by servants. Through anxious winter weeks, he remained bedridden or hobbled about on crutches. Before long, his discomfort intensified with the agonizing onset of pleurisy, coupled with severe rheumatism that crept up his legs, making it difficult for him to negotiate the familiar rooms.
Still worse lay in store. Several years earlier, Grant had entered into a promising partnership, christened Grant & Ward, with twenty-nine-year-old Ferdinand Ward, touted as the "Young Napoleon of Finance." Thanks to his colleague's financial wizardry, Grant seemed to coast on a tide of easy riches, fancying himself a newly minted millionaire. Then, one morning in early May 1884, he awoke to discover that Ward had manufactured the profits from thin air, the whole scheme was a colossal fraud, and he was ruined along with friends and family members who had entrusted their life savings to the firm. Abruptly Grant was thrust back into his early years of hardship at lonely frontier garrisons, on his unprofitable farm in St. Louis, and at his father's leather goods emporium in Galena, Illinois—places where he was branded an economic failure. Now, to scrape by and pay household bills, he had to endure the degradation of accepting money sent by total strangers as acts of charity.
At this point, Grant was seized by more than a desperate need to earn ready cash: he had to cast off the stigma of failure and reclaim his stature before the public and posterity. As his longtime friend William Tecumseh Sherman observed, he had "lost everything, and more in reputation." To a friend, Grant confided, "I could bear all the pecuniary loss if that was all, but that I could be so long deceived by a man who I had such opportunity to know is humiliating." So Grant proved receptive when editors of the prestigious Century Magazine solicited a series of articles about his foremost Civil War victories. "I consented for the money it gave me," Grant admitted, "for at that moment I was living upon borrowed money."
That June, at his rambling seaside cottage in Long Branch, New Jersey, Grant experienced a strange sensation that foreshadowed another grave problem. His wife, Julia, served him "a plate of delicious peaches on the table," but as he swallowed one, he stopped and winced. "Oh my," he said, "I think something has stung me from that peach." He sprang from his chair, strode the porch in distress, then rinsed out his throat, to no avail. "He was in great pain and said water hurt like fire," Julia recalled. Throughout the summer, Grant, who had once smoked twenty cigars a day, was vexed by a baffling sore throat that never faded. Although Julia begged him to see a physician, he procrastinated for months; this man who was so intrepid on the battlefield seemed to dread the looming diagnosis. When at last he consulted his Manhattan doctor in October, he received grim tidings: a mass on his throat and tongue was "epithelial" in character—code language for cancer. To worsen matters, he was afflicted by painful neuralgia and had three large teeth extracted. All the while, he limped about from the Christmas Eve mishap.
Terrified that if he died he would leave Julia destitute, Grant agreed to pen his memoirs and relive his glory days of battle. As seen in his wartime orders, he had patented a lean, supple writing style, and a crisp narrative now flowed in polished sentences, honed by the habits of a lifetime. Words poured from this supposedly taciturn man, showing how much thought and pent-up feeling lay beneath his tightly buttoned facade. He wrote in an overstuffed leather armchair, his outstretched legs swaddled by blankets, resting on a facing chair. He wore a wool cap over thick brown hair now streaked with gray, a shawl draped over his shoulders, and a muffler around his neck concealing a tumor the size of a baseball.
Seldom, if ever, has a literary masterpiece been composed under such horrific circumstances. Whenever he swallowed anything, Grant was stricken with pain and had to resort to opiates that clouded his brain. As a result, he endured extended periods of thirst and hunger as he labored over his manuscript. The torment of the inflamed throat never ceased. When the pain grew too great, his black valet, Harrison Terrell, sprayed his throat with "cocaine water," temporarily numbing the area, or applied hot compresses to his head. Despite his fear of morphine addiction, Grant could not dispense entirely with such powerful medication. "I suffer pain all the time, except when asleep," he told his doctor. Although bolstered by analgesics, Grant experienced only partial relief, informing a reporter that "when the suffering was so intense...he only wished for the one great relief to all human pain."